As Richter’s commanding live Ludus Tonalis on Pyramid is not easily available, Edward Aldwell’s solidly played version on Pro Piano stands as the best of an unprepossessing lot. The first version of the fugue in B is reproduced as an appendix in SW (Sämtliche Werke). Its thirteen movements also deal with polyphonic challenges, and are cast in Hindemith’s earlier, more freewheeling style. Praeludium and Postludium composed simultaneously. Hindemith illustrated a copy of the AMP edition for his wife for her birthday in 1950, a facsimile of which was published under the title Ludi leonum: ED 8200 (BSS 48208), 1994. The interludes also serve as a means of thematic modulation each propagates thematic 'cells' that anticipate the material of the succeeding fugue. The Schott edition utilizes the AMP plates, but replaces the English indications with Italian ones. Ludus tonalis ('Tonal Games') is ingeniously arranged, its 12 fugues connected by interludes that modulate from the key of one fugue to that of the next. The affinity of each note with the keynote is directly related to its position on the harmonic scale. The AMP and Wiener Urtext editions emplay Hindemith's own tempo and dynamic indications, which are largely in English. Ludus Tonalis can be thought of as the most direct application of Hindemith's theory that the twelve tones of the equally tempered scale all relate to a single one of them (called a tonic or keynote). It would be interesting to know more about what led to the impetus to respond to Bach, and to demonstrate his own harmonic theory, at this particular moment. Composer: Paul Hindemith (16 November 1895 - 28 December 1963) - Performer: Sviatoslav Richter (piano) - Year of recording: 1985 (live at Ftes Musicales. Studies in Counterpoint, Tonal Organisation & Piano PlayingĢ5 pieces (1 prelude, 12 fugues, 11 interludes, 1 postlude)ġ943 - New York: Associated Music Publishers Ludus tonalis, which contains interludes and fugues in all 24 keys, is one of the twentieth centurys principal responses to Bachs Well-Tempered Clavier. Ludus tonalis was composed in America, in 1942, and it may have been a response partly to Stravinsky, and perhaps also to early works by Babbitt and others.
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